Katherine Keenum

I spent a semester in France as an undergraduate. A visit to the Cluny that sophomore year fed my interest in the Middle Ages, later my field of specialization in graduate school. When I read that women art students in the 19th C valued the opportunity its enclosed gardens offered them to work outdoors unmolested, I knew I had to send Jeanette there. Read More 

Blog Tip! From a post at The History Blog, I’ve just learned about a million 17th, 18th, and 19th C images released by the British Library to its Flickr account. The view of the Appian Way shown here reminds me of the countryside around Rome that Edward and Carl would have seen. If you have ideas about how to use the new release or find an image that strikes your fancy in any way, please share your thoughts and discoveries! Read More 

From the time I started writing, Sargent’s painting of a couple strolling in the Luxembourg Garden was a key image for me. Edward and Jeanette. The fountain. The fashion silhouette of the woman’s dress (no bustle). Touches of red. Light. Read More 

On their first Christmas Eve in Paris, Jeanette and Effie go to services at Saint-Germain-des-Prés. On Christmas Day in both 1878 and 1879, they attend services at The American Church in Paris on the rue de Berri, Read More 

It’s December 23rd, the day Cousin Effie takes Angelica to a marionette show in the park, so I’m going to leave Jeanette and Edward in the summertime Luxembourg Garden and detour into Christmas. Well, I admit it's also summer in Ellen Houghton's picture of a puppet show in the leafy Tuileries Garden,  Read More 

Gardening history is one of my hobbies, and I enjoyed giving Edward a pleasure I would dearly love to have had, namely, coming across a single illustration from Leonhart Fuchs’ illustrated herbal of 1542 at a stall by the river Seine.

Edward feels confident in buying it partly because of what he has learned from a  Read More 

This loosely painted detail of the distant Arc de Triomphe in the background of Hassam’s
painting of the Champs Elysées is the kind of thing I had in mind when Jeanette sarcastically suggests sketching Adeline Vann in the Tuileries Garden with the arch just  Read More 

After I ran across a footnote to George Augustus Sala’s Paris Herself Again in 1878, I was delighted to find a cheap used set. Now both volumes have been digitized and can be read on-line here and here. Sala has an amusing journalistic style, and from him I picked up all sorts of details about Parisian life as a visitor would see it during the time of the World’s Fair that celebrated France’s recovery from the Franco-Prussian War.

A passage on Charles Frederick Worth, for instance, gave me circumstantial details for Jeanette and Effie’s trip with Adeline Vann Read More 

While I was writing, the concept of "the male gaze” seemed more pertinent to feminist art history than to my novel. What made me chortle gleefully when I first saw At the Café by Forain was not the trio of repellent oglers, but that blue dress on the Parisiénne. Wouldn’t Jeanette love to see herself in it! Wouldn’t she love the hat! Let’s face it, she might even have enjoyed attracting the notice of strangers (she does want to be a star). But surely not these strangers: Edward was right to be dubious about the milieu and the people depicted. Read More 

I had Jeanette and Edward react to Mary Cassatt’s Portrait of a Little Girl at the 4th Impressionist Exhibition for several reasons. First and obviously, it fell in with a focus on women painters. Second, the tilting of the picture plane, influenced by Japanese woodcuts, was an important upending of pictorial convention at the time, and I wanted to show how the older Edward could in some ways be more open to the avant-garde than a typical art student like Jeanette who was invested in the prevailing conventions at the very time they were about to fall. Read More