This morning's post on girls with dogs in the blog It's About Time ties in nicely with a question I had for myself last night. I have just finished a short story set on a farm about a family who would surely have had a dog. Should I have given them one? I didn't because dogs have such personalities it would have to become a character with a role in the plot. Writers, have you found yourself making similar decisions? Readers, if there is a dog in a story or novel, how much do you expect it to contribute to the action or the emotions? What about a cat? Read More
Picturing a World
Fluffy Ruffles
September 8, 2014
And now for a working woman of a different sort: Meet Fluffy Ruffles, heroine of a weekly syndicated feature of the New York Herald. An heiress who has lost her fortune and keeps trying out new jobs to make a living, she first appeared in 1906. By 1908, she'd had musical written about her—with music by Jerome Kern, no less. Read More
Situation wanted
September 4, 2014
Situation Wanted seems perfect for a follow up to Labor Day. When I first saw this picture, it interested me that illustrator Walter Appleton Clark has included a woman as one of his job-seekers because fear of losing her job drives some the Read More
World building
September 3, 2014
Blog tip: Interested in how writers of history, sci-fi, journalism and historical fiction themselves in their subject? Check out Debbie Taylor's guest post Why writing history is like science fiction at the British daily blog, The History Girls. Read More
Labor Day
September 1, 2014
If you write historical fiction set in Progressive-Era New York City, there is a good argument for setting it a little later than 1908. The Masses, for instance, began publication in January 1911; and the great suffragist parades were staged in New York City in 1912 and Washington, D.C. in 1913 (with Inez Milholland on horseback). In 1908, however, the ideas, unrest, and hope for a better future that blazed out in the coming years were already stirring. To help me imagine what they felt and looked like from 1900 through World War I, I’ve just discovered a wonderful resource, The Modernist Journals Project from Brown University and The University of Tulsa. It supplied this iconic cover—and has complete digitized issues of several important magazines of the period. Read More
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