Katherine Keenum

Blog post alert: For an insider's look at commercial art, ghostwriting, and publishers, the always interesting Kathleen Jennings has a long interview—"Ghoulish but sentimental"—with fellow artist and writer, Socar Myles. Myles's startling artwork is gorgeous. I've never read any of her fiction, whether ghostwritten or published in her own name; but I was fascinated by everything she had to say.

When I ran across this image at Costume History last September, it jumped out at me for three reasons: First, the real Jeanette worked at McCall's Magazine in her later life. Second, my work-in-progress, ANONYMITY, is set in 1908. And third, I'm always on the lookout for pictures I can use for this blog. Naturally, I saved it. So Happy Valentine's Day, everyone!
 
Now that I've re-opened it, however, I'm also struck by its ambiguity. What is that pensive woman thinking?

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Yesterday, I attended an absorbing webinar on Boston artist Sarah Gooll Putnam. Every aspect of the topic interested me (see below), and I hope it will be posted to YouTube as planned. For this blog, it introduces one more excellent, little-known woman artist. Putnam was a successful portraitist in Boston elite circles, painting in a style reminiscent of John Singer Sargent and Cecilia Beaux.

An even bigger Wow! for the historical novelist are her voluminous diaries now digitized at the Massachusetts Historical Society. In them, she recorded daily events, illustrated her entries with drawings, and supplemented them with clippings and other memorabilia. If you have a hankering to undertake a story set in Boston in the latter quarter of the 19th C or early 20th, don't miss these.

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After reading my post on Rachel powder, a friend told me about playing with her mother's and aunts' cosmetics when she was a little girl. She had a hazy memory of seeing something labeled Rachel. That sent me back to the internet, and voilà, more information about Elizabeth Arden products and the company's history here and here. What useful details for fiction set in the 20th C! My old editor at Berkley thought I should set Anonymity in a more glamorous industry than publishing. I sarcastically queried, such as interior decorating? Good idea! she said.

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Double blog alert: A snazzy, modern, digitally recreated tour of ancient Rome's center and a lovely, still, 19th C watercolor of the Colosseum in ruins. By chance I came upon them one after the other, and what layers of period and media they encapsulate! First, I watched a trailer for Rome in 3D at the History Blog. Next came this 19th C watercolor of the ruined Colosseum at Gurney Journey's announcement The Rijksmuseum shares copyright-free images. Yeah, they link to time sinks, but also to a world of information and inspiration.

In November, I bought the new 25th Anniversary edition of Philip Pullman's Northern Lights for its woodcut illustrations by Chris Wormell. The book was a Christmas present to myself, which I saved for reading after New Year's Day. I'm finding that it does indeed enhance the reading to turn the page to a spectacular illustration like the one shown here. (As it happens, Wormell's color palette is reflected in a fascinating post at Gurney Journey on Polar Stratospheric Clouds.)

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Blog post alert: While the nation is going through hell (with hopes of better days to come, whether paradisiacal or merely purgatorial), it's a timely happenstance that the Uffizi Gallery in Florence has digitized a set of 16th C illustrations of all three books of Dante's Commedia. Read the History Blog's Rarely-seen Dante illustrations digitized for more information and links.

Just when you think you've seen everything, an insurrectionist mob overruns the U. S. Capitol. And just when you think you know a field, along comes something major to shake up your over-confidence. Last night, after following the news closely all day, I escaped into rereading Elswyth Thane's Tryst. Sabrina, the heroine finds a book, The Gods of Pegana, in the mysterious Hilary's locked bedroom. The title looked vaguely familiar, but I sure didn't know the book. Well, my Mattie would!

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I thought of posting this yesterday for New Year's Day 2021 because it suggests mysterious possibilities and because I like to give readers a valuable takeaway—in this case, a link to the Vogue magazine archives. Yesterday's insouciant skaters seemed more fun, but, now imagine them on their way back, where? What to make of those shoes in the snow? Graphically, I love the cocker spaniel at the bottom. Does he fit into the story?

Happy New Year! May we all soon be as insouciant (if not quite so elegant or athletically accomplished) as these two ladies!