Katherine Keenum

This delectable recorder-playing dragon appears in the margins surrounding of a large illumination in Boccaccio's Fates of Illustrious Men and Women. It would make a great jigsaw puzzle. Better yet, it could prompt a story. Is it part of a musical quartet (if so, who else plays?)? A runaway from dragon life (if so, why?)? Is it a dragon brought up in a human court after hatching from a captured egg? I think it's alive and not a toy, but I suppose it could be a clever marionette. Now, if it is a dragon buttoned into a onesie, what are three other things that must be true of its world?

During an interesting and very convincing recent lecture on the symbolic imagery of curtains in Byzantine liturgical practice, Professor Warren Woodfin discussed this image of Night, the prophet Isaiah, and the little boy Dawn. He connected Nyt's starry shawl in the Paris Psalter to iconographical traditions including the parochet that covered the Ark of the Covenant and altar veils of the Byzantine Christian church. I have to admit though that when he put up a detail of Nyt, my thoughts jumped immediately to Mara's cloak of pocket universes in The Dark Lord of Dernholm and then to all the lovely strands of Greer Gilman's imagery of weaving, scarves, and the Pleiades in Cloud and Ashes. I was trained as a medievalist, but you know what? I'm keeping my fingers crossed Nyt inspires me to something wonderfully fantastic.

The Sverresborg Trøndelag Folkemuseum website has several items that could be helpful in conjuring up the setting for a fantasy or historical novel, including this visualization by K. P. Keller (about whom I could find nothing else on line).
 
I adore the way artists can translate archeological remains from holes in the ground into fully imagined places. Just look at the sweep of the bay in the background of this one, the texture of tiled roofs, the plowed field under the bluff on the right, the rockiness of the mound on which the castle is set. All these and more could supply either touches of realism or odd hinges for a plot point. For a good article on how it's done, click here.

As a follow-up to my previous post on a Corset sculptor, how about a Japonisme corset ad? In an e-mail, scholar Christine Guth immediately recognized these "Three Little Maids from School" from the Gilbert and Sullivan opera, The Mikado, first performed in 1885. The Digital Commonwealth site where I found it has three other corset ads of the same period with Japonisme motifs. Which leads me to think the commercial artist I proposed as a fictional heroine might be a serious fine artist who has been influenced by Japanese art. As she struggles to find a footing in the world of galleries, she supports herself by supplying pictures to a printer who turns out calendars and advertising cards. If I decide to go with that idea, there's lots to explore!

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Television advertisements often involve short narratives. Print ads can carry implicit stories, too. This one for Thomson's Glove Fitting Corset is full of delicious details for an imaginary 19th C female artist. The window overlooking rooftops, the geranium on the sill, the rough wooden wall, the propped-up canvas on the left. Ah, Bohemia. But the fancy overhead lamp, the potted plant, the bow at the artist's neck, her hair: Ah, fashion. And the circlet with a crescent moon on the sculpture's head: Diana! What to make of it all?

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An article, "This is a wake-up call': Booker winner Paul Lynch on his novel about a fascist Ireland, prompts me to write briefly about Lynch's deeply immersive novel, Prophet Song. What I have chosen for today's illustration, however, is The Great War, a wordless panorama by Joe Sacco. Why? Because, given the threats that loom over us today, I've been musing lately on how art can best capture the lived human experience of the nightmares we inflict on each other and ourselves.

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With a horrible political year ahead, let's go out of December 2023 in style. Happy New Year's EVE everybody!

Website alert: For historical fiction writers, a new website called After the Plague provides a wealth of information on life, health, and death in Cambridge, England, in the period ca. A.D. 1000–1500. It takes findings derived from scientific investigations of a thousand skeletons of people who lived in and around Cambridge and uses them, not only to generalize, but to reconstruct individual lives. Sixteen essay-length profiles are included.

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Holidays are repetitious. Repetitions make commercial work easier. Even writers who try to avoid doing so repeat themselves unconsciously. After all, humans (as well as AI) are pattern-seeking creatures. Well, may your holiday fall into whatever pattern you love—or carry you into novel ways of picturing your world. Happy Thanksgiving!
Image via a Norman Rockwell Museum post, Illustrations as easy as pie.

Well, I meant to post this image at Hallowe'en. Having no inspiration to start off Thanksgiving week, I'll toss it out for any giggle it might bring you. And who knows? Maybe it will prompt somebody to write a holiday story—something about party ideas in a turn-of-the-century American magazine? maybe a fantasy story about a fashionable coven in an alternative universe? What's your fancy?

Image via Tumbler. For the article in which the original appears, click here.