Katherine Keenum

After Saturday’s post on Halloween cards, my first search for the illustrators who painted them turned up Rose O’Neill—the inventor of Kewpie! Who knew? (Well, probably lots of historians of material culture, but not me.) It is tempting, tempting, tempting  Read More 

From today’s post at It’s About Time on Halloween cards, this image of a stereotypical witch looking wistfully through a window at an innocent childs' party is the only one that says to me “This could make a story.” Yet  Read More 

Images inspire writing. Among my desktop folders, I have one for Pictures Demanding Stories—or, in Greer Gilman’s more potent term, Story-seeds. This image by Rovina Cai instantly called to mind Gilman’s work. I’m tickled pink that she agrees. Here’s hoping that one day she’ll tell us the story! (As for me, it's back to ANONYMITY and, well, to some other fiction that insists on being written.)

Thanks to Line and Colors for the post on Cai.

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Newcomers, welcome! This is my blog devoted primarily to illustrating the world of Where the Light Falls and thinking about how images can shape stories. Please explore the archives. Beginning in November 2012, the posts follow the novel more or less chronologically. Tags direct you to topics more analytically. I promise earlier posts  Read More 

Given the recent snow and ice here in the Northeast, I’ve been thinking about why books set in winter appeal. Even though the action of The Lion, the Witch, and the Wardrobe is directed toward delivering Narnia from the grip of the White Witch, it’s the snow you remember, the  Read More 

Blog tip: Writer, artist, and editor Terry Windling posts today on Stories that matter. She quotes other writers who share her philosophy (and mine) that real writing is what you must do because you can't not do it. The post is illustrated with fantasy images by Nadeshda Illarionova, whose pictures could easily inspire a fairy tale of your own. Check'em out! Read More 

This engraving of Gunnar Berndston's depiction of a Shrove Tuesday pancake supper appears in The Illustrated Catalogue of the Paris Salon for 1882. Such an engraved image might seem inadequate to eyes accustomed to photographic reproduction, yet turning the pages of the Salon catalogues in the research library of The Clark was a wonderful way to grasp the scope of the annual exhibitions. To see what I mean, click here for the next year's catalogue

In the 1882 catalogue, a few pictures seemed to leap out illustratively for Where the Light Falls. This one reminded me of Read More 

It’s hard to know why some topics fascinate us. I ride public transportation whenever I can; maybe that's why depictions of riders in a train or on an omnibus always catch my eye. For my fiction, moreover, it just seems part of world-building to know how my characters get from one place to another and how long it takes them. Mary Cassatt's In the Omnibus" reminds me of crossing the Charles River on the Red Line in Boston during the day when the cars are sometimes uncrowded. For Daumier's more typically crowded omnibus, click here.  Read More 

Blog tip: Click here for one of several recent posts on hats at It’s About Time. Liljelund’s young woman (and her bangs) caught my eye because she reminds me of Jeanette, who loves clothes but needs to develop a fashion sense. Read More 

It is gratifying to run across paintings (like Vollon’s Mound of Butter) that seem to jump right out of the world of my novel, but here’s one I wish I had seen while I was writing. What an engaging gaze!

The subject of Danish artist Bertha Wegmann’s portrait’—the Swedish-born Jeanna Bauck (1840–1926)—would have been Edward's contemporary Read More