Katherine Keenum

Monterey was not one of the summer artists’ colonies that I had studied when news of a 2006 exhibition, Artists at Continent’s End: The Monterey Peninsula Art Colony, 1875-1907, set me wondering whether Jeanette might go there at some point in her life.  Read More 

Ponder.

When I was researching summer artists’ colonies and first saw those striped socks on Robert A. M. Stevenson in Will Hicok Low’s A Chronicle of Friendships p. 209, I badly wanted to base a character on him for one of the artists at Pont Aven.  Read More 

Doesn’t the animation in the faces of both tennis players and the spectator bring the past to life? It says to me, Invent a story!

The photo is one of many at a French-language website on the Hotel Baudy. In the story of every summer art colony,  Read More 

In 1895, two married, successful artists, Frederick and Mary Fairchild MacMonnies, bought an old priory in the town of Giverny, where Claude Monet was the reigning artistic deity. High walls enclosed their house, studios, and a terraced garden, which became a center of activity for the American art colony drawn to Giverny.

A frequent visitor was Will Hicok Low. During my research, I read his amusing and generous-hearted book A Chronicle of Friendships (1908) with pleasure. To see one of his paintings of the MacMonnies’ garden, click here. For one of her garden paintings, click here.

A nursery for the MacMonnies children with Mary’s copies of murals by Puvis de Chavannes on the back wall exemplifies the MacMonnies’ way of making their home as ideal a world as possible. Unfortunately, Frederick had affairs with  Read More 

When Amy Richardson and Louise Steadman confront Jeanette with the need to choose between art and love, they remind her of Marie Bracquemond and Berthe Morisot, whose opportunities to show were sadly curtailed by marriage. They also point out that Mary Cassatt knew better than to get married. For a well illustrated post on  Read More 

During my earliest research, I read Studying Art Abroad, and How To Do It Cheaply by May Alcott Nieriker (1879) in the Boston Public Library. (How I yearned for my own copy! How easy now to read it on line!) A couple of sentences struck me forcibly and ultimately pointed to part of my dénouement: Read More 

Website tip: The website of the National Portrait Gallery in London has a useful essay on John Singer Sargent's suppliers of artists' materials>.

The Salon of 1880 was so big that paintings had to be hung on the mezzanine above the sculptures for lack of space in the picture galleries. For the first time, they were also divided into sections for French artists and foreigners. While I was writing, I debated whether to have Jeanette win a place. The historical odds were against it, and I wanted her story to represent what a typical female student experienced. Read More 

Website tips:Look! Another woman artist from Poland in a blog post on paintings of women with parasols or umbrellas. For more about Boznanska at Culture.PL, click here.