Katherine Keenum

Exhibition alert: What a rich image this banner for New York Art Worlds, 1870–1890 is in and of itself! The student with the calipers at the bottom or the open book of bird illustrations at the right—they alone are enough to inspire stories. And you've got time to visit the show at the MetMuseum; it runs through July 24, 2024.

I'm reading The Fairest of Them All by Maria Tater (2020), and naturally the first thing I did was look at all the pictures. The blue-and-white vase in this one caught my eye because I have a friend who is an expert on blue-and-white china. It amuses us both to come across it in odd contexts—in this case, a picture of Snow White's stepmother by Katharine Cameron from Louey Chisholm's In Fairyland (1904). That date for a children's book puts it squarely in my character Mattie's world, and Cameron just might be someone for Amy Richardson to know if I decide to follow Amy's story.

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I'm always on the lookout for images that reveal something about the life of Parisian artists' models. Bertha Newcombe was an English suffragist, who studied at the Académie Colarrossi in Paris. Here, her woman's-eye sketch of the end of a day captures how tired the hardworking her fellow art students were and how matter-of-fact the model was in putting her clothes back on. More of Newcombe's work can be found at Wikipedia Commons, including a nifty women's suffrage poster.

I love illustrated books, which in today’s world largely means children’s books. This combination of text and illustration from 1909 is by Beatrice Baxter Ruyl (who posed for photographer Gertrude Käsebier’s picture The Sketch). The children’s book pulp-fiction syndicate for  Read More